Santiago Sierra. Banana company illuminated by diesel generator, Obstruction of a line of containers by a person and previous works, 2009. Sierra does not present an individual story; he does not formulate anything for us, and sometimes there is nothing to see. We fill in whatever is not described, because we know, or ought to know. While media surveys say that news interest diminishes with geographic distance, Sierra reduces this distance between ourselves and what we see and makes it urgently pressing. (Extract from the catalog, text by curator Elisabeth Millqvist)
iloveyouihateyou, 2009.Introduction by Richard Julin, Chief Curator at Magasin 3 Stockholm Konsthall. Conversation between Richard Julin, Lee Ranaldo and Leah Singer in New York, November 20, 2008. Biographies of participating artists in the exhibition.
Christian Boltanski “Les archives”, 2008. The numbered publication includes a CD with the recorded heartbeat and a certificate stating that the recorded heartbeat belongs to the buyer of the publication. Essay by Tessa Praun. Prologue by David Neuman.
Annika von Hausswolff “Ich bin die Ecke aller Räume”, 2008. Texts by John Ajvide Lindqvist and Malin Hedlin Hayden. Prologue by David Neuman.
Miroslav Tichý & Julia Margaret Cameron “Long Moments”, 2008. Essay by Tessa Praun.
Pipilotti Rist “Congratulations!”, 2007. Conversation between the artist and Richard Julin.
Paul Chan, 2006. Essays by Daniel Birnbaum and Elisabeth Millqvist.
Kimsooja, 2006. Essay by Doris von Drathen, interview with the artist by Tessa Praun.
Fabrice Gygi, 2005. Published by JRP¦Ringier, Zürich, 2005. Supplement 2006
Here Comes the Sun, 2005. Del I: texts about the artists. Part II: pictures from the exhibition.
Lara Schnitger My Other Car is a Broom, 2005. Interview by Richard Julin.
Matts Leiderstam Grand Tour, catalogue published as a website, 2005
Mona Hatoum 2004. Published by Hatje Cantz Publishers.
Philip-Lorca diCorcia A Storybook Life”, 2003 and “heads”, 2001.
Katharina Grosse Infinite Logic Conference, 2004. Essay by Lars Mikael Raattamaa.
LG Lundberg Stängsel, 2004. Essays by Olle Granath and Elisabeth Millqvist.
Henry Darger, 2003. Text by Klaus Biesenbach, Kiyoko Lerner, Henry Darger excerpts.
Ayse Erkmen Tidvatten, 2003. Essay by Daniel Birnbaum.
Spiritus, 2003. Essays by Richard Julin, Magnus af Petersens, Marina Warner and Frank Hawken.
Tony Oursler, 2002. Essays by Tony Oursler, Richard Julin. CD “Influence Machine”
Lars Nilsson, 2002. Texts by David Neuman, Gertrud Sandqvist and Jérôme Sans.
Free Port, 2001. Essays by Jesper Meijling, Richard Julin. CD by DJ Spooky.
Pedro Cabrita Reis The Silence Within, 2001. Interview by Doris von Drathen.
Annika von Hausswolff, Jane & Louise Wilson, Weegee, 2000. Essay by Sara Arrhenius.
Siobhan Hapaska, Charles Long, Ernesto Neto, 2000. Interview by Richard Julin.
Per Kirkeby, 2000. Texts by Aris Fioretos and Thomas Elsen.
Chris Burden, 1999. Interview by Måns Wrange, text by Chris Burden.
Spatiotemporal – Works from the Collection 1988-1998, 1998.
Gilbert & George, 1997. Interview by Hans Ulrich Obrist.
Painting – the extended field, 1996. Essay by Sven-Olov Wallenstein.
Bruce Nauman, 1996. Essay by Tom Sandqvist.
Georg Baselitz + Carl Fredrik Hill, 1995. Essay by Donald Kuspit and Ola Billgren.
James Turrell, 1994. Essay by Daniel Birnbaum.
Barry X Ball, 1993. Essay by Amy Baker Sandback.
Felix Gonzalez-Torres, 1992. Essay by David Deitcher.
James Lee Byars, 1992. Essay by Robert Fleck.
Alfred Leslie, 1991.
Fred Sandback, 1991. Essay by Sasha M. Newman.
Richard Long, 1990. Essay by Roger Bevan.
Leonard Forslund, 1990. Essay by Bo Nilsson.
A.R. Penck, 1989. Essay by Donald Kuspit.
Alfredo Jaar, Ronald Jones, 1989. Interviews by Dore Ashton and Jerry Saltz.
Walter De Maria, 1988. Essay by Jeanne Silverthorne.
Five American Artists, 1988. Essay by Carter Ratcliff.
Plingeling, 2003. Text by David Neuman and Birgitta Flensburg.
Extension – works from the collection, No. 2. Text by Margaretha Rossholm Lagerlöf
Moderna Museet c/o Magasin 3, 2002. Text by David Neuman and Richard Julin.
Agnes Martin, 1994. Essay by Eva Hallin.
MOOR BY JANINE ANTONI A collection of stories connected to the materials of the work “Moor” – a 78 meter long rope made of objects and materials given to the artist by her friends and family for the exhibition “Free Port” at Magasin 3 Stockholm Konsthall.
Published by Magasin 3 Stockholm Konsthall and SITE Santa Fe, Kristianstad 2004. 52 pages. Color. Hard cover.
STATEMENT BY LG LUNDBERG. The fence motif repeated across 206 pages. Possible to read from any angle, any direction.
Published by the artist, Stockholm 1979. 206 pages. Black/white. Soft cover.
WEEGEE’s story – From the Berinson Collection”. Weegee’s famous photographies of life in New York during the 1930’s and 40’s. All the images are vintage prints from the Berinson Collection, Berlin.
The book is part of the collaboration with Rupertinum Salzburg for the exhibition with Annika von Hausswolff, Jane & Louise Wilson and Weegee at Magasin 3 Stockholm Konsthall in 2000.
