PROGRAM 2003 (JUNE 4–OCTOBER 29, 2003)
MEETING-PLACE: ART, GARDEN, CAFÉ
The group o-b-o-k; the artist Ronald Jones and the designer Laurie Haycock Makela, created the interior design, concept and meeting-place on the themes of gardens, objects, Djurgårdsbrunn stories, and other narratives. The influences for the interior design was taken from cabinets of curiosities and one could also watch the news on TV-monitors, see new films and partake in the stories behind curious objects in glass showcases.
One of the flower beds were named after Strindberg's play "Ett drömspel". Oscar Wilde's prison cell offered a room for contemplation and the new fountain reminded us of the times when there was a spa at Djurgårdsbrunn.
o-b-o-k stands for the Swedish words for word - image - object - knowledge and is run by Ronald Jones och Laurie Haycock Makela. The café, both indoors and outdoors, was open all summer. Outside were deck chairs and garden groups around the goldfish fountain and a garden shop selling flowers.
The first exhibition "In extremis" opened on June 4, 2002. Medical plants were exhibited in jars and given a historical background. In the First World War, soldiers used empty shell casings to create decorative objects, which where later named "trench art". On the casings, words of endearment were engraved. The casings were redesigned into vases, which were then brought home as souvenirs.
As a part of the second exhibition "Seeing Monsters", o-b-o-k focused on the use of sacred hallucinogens such as the plants Datura Innoxia, Belladonna and Bolm?rt. Ancient shamans and sorcerers used plants to provoke horrifying and monstrous hallucinations and certain indigenous cultures continue its use today. While the danger of these hallucinogens has never been challenged, neither has their potent ability to induce clairvoyant trances in magico-religious rites, or their medicinal effects. Datura blossoms in the evening, secreting an enchanting scent throughout the night - risk and pleasure, madness and vision, the entrée to occult powers are invited - before the flowers fade at morning.
The third exhibition "Inventories and The Unclassified" presented examples of the world's great encyclopedic inventories juxtaposed with objects that have escaped every attempt to classify them. The first known efforts to classify animals were by Aristotle in 4th century BC, by determining if the animal possessed or lacked red blood. Until the idea of Evolution developed during the scientific revolution of 17th and 18th centuries, there was little interest in classification systems, as each being was considered a unique creation of God. Suddenly, the desire to systematically name things was linked to the desire to have power over the universe. "God created - Linné classified."
Club Trollet organised six club nights during the autumn with invited secret guests: Gaffaman (9/8), Role Model (23/8), Sagor och Swing (6/9), Bengt Andersson "The angriest man in Sweden" (20/9), En halvkokt i folie (4/10), Christine Ödlund (18/10). Other program activities: a reading by Anna Hallberg and Jörgen Gassilewki, poets and critics ("Literature Outside the Text - Speed, Scale, Space"), a talk with Gunnar Björkman, park manager (Kungliga Djurgårdsförvaltningen).
Overview Magasin 3 Projekt, Djurgårdsbrunn
Photo: Mattias Givell |
Flower shop, Carolina Holmlund
Photo: Mattias Givell |
"Lusthuset"
Photo: Mattias Givell |
Office and studio o-bo-o-k
Photo: Mattias Givell |
Ronald Jones och Lauire Haycock Makela, the opening night
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Installation view "In Extremis"
Photo: Mattias Givell |
Installation view "Infinite inventories"
Photo: Mattias Givell |
Staff: Lisa Källsen, Fredrik Söderberg, Matti Kallioinen, Johan Thurfjell, Emanuel Rylander
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Ronald Jones
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Over view, café
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Sagor och Swing. September 6, 2003. Arr. Trollet
Photo: Magnus Ericson |
Halvkokt i folie. October 4, 2003. Arr. Trollet
Photo: Magnus Ericson |