CHRISTIAN BOLTANSKI "LES ARCHIVES"
5 SEPTEMBER –14 DECEMBER 2008
'...preserving oneself whole, keeping a trace of all the moments of our lives, all the objects that have surrounded us, everything we’ve said and what’s been said around us, that’s my goal.'
Christian Boltanski, from the catalogue

Magasin 3 opens its fall season with Boltanski’s first solo exhibition in Stockholm. Tessa Praun, curator of the exhibition tells us that: “Experiences of loss and the need to put a face to anonymous suffering forms the thread that runs through much of Boltanski’s body of work. Our individual and collective memories are central to works that often bear the traces of human life – clothes, photos, letters and other personal material. The exhibition is composed of five installations. Their placement is decided by a specific choreography that winds its way through the structure of Boltanski’s muted visual language. It is something of a challenge to the visitor to experience the uncanny and serious, but also at times comical moods created by the exhibition.”
Central to the exhibition is his new work, Les archives du cœur, 2008, in which Boltanski works like an archivist or ethnographer collecting proof of the fragility of the human condition. Tessa Praun, comments that: ”Up until now Boltanski has made use of personal or found materials. The new work will be created by visitors to the exhibition who contribute by donating the sound of their heartbeat. Starting in Stockholm he will collate an archive of recordings of heartbeats, which will be housed on its very own island belonging to the Benesse Art Site Naoshima in Japan. The thought that my heartbeat will be preserved on a Japanese island is startlingly beautiful – I hope that many people will feel the same way and want to donate their heartbeats.”
Curator: Tessa Praun
Download information sheet (PDF) about the exhibition >
Christian Boltanski was born in Paris, France, in 1944. His first solo exhibition entitled "La vie impossible de Christian Boltanski" took place in 1968 at the Cinéma le Ranelagh in Paris.
As a video artist, and as a conceptual artist he has had a prolific career exhibiting in solo and group shows at prominent art institutions and his works have been included in the Documenta in Kassel and the Venice Biennale several times. His most recent retrospectives took place at PAC - Padiglione d'Arte Contemporanea, Milano in 2005 and at Mathildenhöhe, Darmstadt in 2006-2007. In addition Boltanski has worked extensively with theatre projects for Théâtre du Châtelet, Paris; the Ruhr Triennale in Germany, and many more.
See an interview with the artist http://www.ubu.com/film/boltanski.html, the film is also screened in the reference library at Magasin 3 during the exhibition period >
CONTENTS:
Prologue by David Neuman, director Magasin 3 Stockholm Konsthall
Essay for
Exhibition Catalogue no 39 by Tessa Praun, curator
Exhibition catalogue no 39 published by Magasin 3 Stockholm Konsthall 2008.
The numbered publication includes a CD with the recorded heartbeat and a certificate stating that the recorded heartbeat belongs to the buyer of the publication.
Price: 100 SEK (approx 10 EUR)
For every Boltanski catalogue sold, Magasin 3 will donate 20 SEK to the Swedish Heart-Lung Foundation's research on heart, lung and vascular diseases. It is also possible to purchase only the CD for 30 SEK, 5 SEK will then be donated to the Heart-Lung Foundation.
(Excerpt from the catalogue essay by Tessa Praun, curator)
If one were to try to reduce all artistic and human production throughout time to just one simple driving force it would probably be a striving for immortality. The knowledge of our death lies inherently within the nature of birth; no life is eternal or everlasting. However, since life is our greatest gift we do everything possible to try to immortalize ourselves. Throughout history religions as well as philosophers, writers and other intellectuals have been fascinated by the question of how the physical body and the soul can attain immortality. Already in the Epic of Gilgamesh (ca. 2000-1000 BC), which is regarded as one of the world's first literary works, we find a searching for eternal life. Christianity maintains that Adam and Eve lost their - and all of humanity's - physical immortality as a consequence of the original sin. This human weakness which brought about the Fall paves the way for Christianity - as well as Islam - to promise eternal life after death to true believers.
"Our hope of immortality does not come from any religions, but nearly all religions come from that hope."
Robert Green Ingersoll (1)
In the time of the pharaohs the Egyptians mummified their dead in the hope that this would enable them to live on in their physical form in the afterlife. Immortality is also a major part of the Rastafarian religion - they are convinced that at the end of life on earth they will be called to the biblical Mount Zion where they will live on freely. Certain Taoists believe that the repeated recitation of certain texts can be rewarded with eternal life while others practice internal alchemy to prolong life and to, in theory, attain immortality. In the secularized Western world people try to prolong their lifespan or even to turn back the clock through methods like extreme diets, exercise routines and surgical or even genetic procedures.
In spite of this, science has proven again and again that for the human body as for all biological forms of life, death is the inescapable end and a part of evolution. The only possibility of 'eternal life' in the biological sense is reproduction where genes are transferred from one generation to another. A concrete example of this is the case of Oskar Schindler, the German businessman who saved 1,200 Jews from deportation in Nazi Germany. In the epilogue to Steven Spielberg's film Schindler's List from 1994 we see contemporary documentary footage of some of Schindler's Jews visiting his grave. The subtitles explain that those saved by him have more than 6,000 descendants. Now, 14 years after the making of the film, it must be considerably more. In the future there will be an infinite number of people who exist only because of Schindler's bravery. One would gladly stop one's thoughts here but one is at the same time unavoidably reminded of the potential descendants of the 6 million who were murdered. A loss too great to capture in words.
Another interpretation of immortality is the notion that we exist as long as we are remembered, spoken or written about. As opposed to all the power mongers who through war, murder and devastation have inscribed their names into the history books, artists have found a much more positive and subtle way of immortalizing themselves. If the artist creates work that touches people during his lifetime these pieces are kept and archived for future generations.
"I am interested in what I call 'little memory', an emotional memory, an everyday knowledge, the contrary of the Memory with a capital M that is preserved in history books. This little memory, which for me is what makes us unique, is extremely fragile, and it disappears with death. This loss of identity, this equalization in forgetting, is very difficult to accept." Christian Boltanski (2)
In his work since the 1960s Christian Boltanski has employed the archive as his main artistic form, taking on the task of not only immortalizing himself but even his fellow human beings. The material he uses is everyday objects and personal belongings to remember ordinary people by. The works often resemble depots of found objects and are infused with a sense of loss. However, here it is not the objects themselves that have been lost but their owners who are missing.
"Someone's photograph, garment or dead body are pretty much the same thing: there was someone there, now they're gone." Christian Boltanski (3)
WORKS IN THE EXHIBITION
"Les archives du coeur", 2008
Interactive installation
"Être et avoir", 2008
Installation
"Qui êtes-vous?", 2008
Sound installation
"Le Coeur", 2005
Installation
"Être à nouveau", 2005
Video installation
"Entre temps" (Meanwhile), 2004
Video installation
The island Ejima, Japan. Future location of "Les archives du coeur", 2008
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"Être à nouveau", 2005
Photo: Martin Runeborg |
"Être et avoir", 2008
Photo: Martin Runeborg |
"Les archives du coeur", 2008
Photo: Martin Runeborg |
PROGRAM IN CONJUNCTION WITH THE EXHIBITION
EVENING PROGRAM
Wednesday October 8, 5pm - 9pm
Café, bar and mingling. Free entrance.
The exhibition is open 5pm - 9pm, welcome to donate your heartbeat before the lectures start.
PROGRAM
6pm "A heart-specialist's view on heartbeats"
Cecilia Linde, professor and senior physician at 'Hjärtkliniken' Karolinska Universitetssjukhuset, talks about our physiological and cultural knowledge of the heart in relation to her expert experiences.
More about Cecilia Linde >
7pm "Something of our own selves": talking archives by Sue Breakell, archivist, Tate, London
Taking as its starting point Boltanski's use of archival forms and practices, this talk will offer an archivist's perspective on the nature and meaning of archives in contemporary culture. It will consider the generative possibilities of the use of archives in art practice, and the particular ways in which such traces speak to the individual experience of the viewer through a kind of "microhistory".
More about Sue Breakell >
Artist talk with Christian Boltanski, September 4, 2008.
Duration: 40.40 min. Language: English.
A conversation between Christian Boltanski and Tessa Praun, curator of the exhibition.
In Swedish: Cecilia Blomberg's interview with Christian Boltanski, Swedish Radio P1
http://www.sr.se/webbradio >
GUIDED TOURS
Sunday September 14, 2pm
Special tour by Tessa Praun, curator of the exhibition.
Thursday October 23, 5.30pm
Guide: Nina Blom Bussoli. After the tour an interview with the artist by Melvyn Bragg is screened in the lobby. The film is screened in the reference library during the entire exhibition period. Also available at http://www.ubu.com/film/boltanski.html.
Every Saturday at 2pm the current exhibitions are presented by our guides Erik Sigerud, Nina Blom Bussoli and Anna-Stina Ulfström.
COLLABORATIONS IN CONJUNCTION WITH THE EXHIBITION
The Heart-Lung Foundation, http://www.hjart-lungfonden.se/
The French Embassy, http://www.ambafrance-se.org/
The French Institute, http://franskainstitutet.thalasoft.com/
PRESS CLIPPINGS (in Swedish)
Birgitta Rubin's interview published in Dagens Nyheter 2007-02-06
http://www.dn.se/DNet/jsp/polopoly.jsp?a=614322
Clemens Poellinger's interview published in Svenska Dagbladet 2007-02-08
http://www.svd.se/dynamiskt/kultur/did_14583128.asp
Cristina Karlstam's review published in Upsala Nya Tidning 2007-02-10
http://www2.unt.se/avd/1,1786,MC=5-AV_ID=578856,00.html
Towe Matre's feature, broadcasted by Radio P1, Studio 1
http://www.sr.se/webbradio
Cecilia Blomberg's review broadcasted by Radio P1, Kulturnytt
http://www.sr.se/webbradio