From the press release, 1998: "Spatiotemporal" is a ten-year anniversary exhibition. It is a show, which mainly focuses on artists who are in the collection of Magasin 3 Stockholm Konsthall, but whose works have never been on display at the kunsthalle.
Magasin 3 Stockholm Konsthall has over the last ten years existed with a very determined idea, to exhibit artists who have a significant importance on the contemporary art scene. Magasin 3 has exhibited both artists in the very beginning of their careers, and artists who have reached further in their profession. Most of the artists exhibited were shown for the first time in Sweden at Magasin 3 Stockholm Konsthall.
CONTENTS:
Illustrated review over the past years exhibitions.
Newspaper clippings from Dagens Nyheter, Svenska Dagbladet, Artforum, Förenade Landsortstidningar.
Catalogue no. 18. ISBN: 91-972986-2-X.
54 pages, color, illustrated.
Published 1998 by Magasin 3 Stockholm Konsthall.
Price: 150 SEK (approx. 16 EUR)
Prologue by David Neuman
The identity of Magasin 3 Stockholm Konsthall has been a very slow process. I have always felt that it is only through the integrity of the exhibitions that recognition and longevity can be reached. Magasin 3 Stockholm Konsthall has over the last ten years existed with a very determined idea, to exhibit artists who have a significant importance on the contemporary art scene. We have exhibited both artists in the very beginning of their careers, and artists who have reached further in their profession. Most of the artists exhibited were shown for the first time in Sweden at Magasin 3. I am proud to say, after viewing this catalogue, that we have arranged some great exhibitions.
Another lesser-known fact is that Magasin 3 is a collecting institution. The foundation of the collection is based on the exhibitions produced. We have also had an extensive external acquisition program, the collection now holding a large number of important contemporary artworks. Magasin 3 also has a major lending program, having lent over the past ten years to numerous museums around the world and collaborated with a number of Scandinavian museums on different exhibitions.
There is a very small group of professionals who have assisted me during the years; one person to be mentioned with an extra level of respect and true admiration is Amy Simon. She has been a creative source in most aspects concerning the work at Magasin 3.
Spatiotemporal is a ten-year anniversary exhibition. It is a show, which mainly focuses on artists who are in the collection of Magasin 3 Stockholm Konsthall, but whose works have never been on display at the Kunsthalle. It is with great pleasure that we are able to show some very original juxtaposition of artworks. We are also for the first time exhibiting part of our commitment to the Scandinavian art scene, which is an aspect which will be further developed in the years to come.
The existence of Magasin 3 would clearly only hove been a dream without the fore-sight and total support of Robert Weil. He, and he alone, has supported Magasin 3 Stockholm Konsthall during all these years, having done so with utmost generosity towards the visual arts. For this I am truly grateful.
David Neuman, Director
Works in the exhibition, part 1
Polly Apfelbaum
"Compulsory Figures", 1997
Synthetic velvet, dimensions variable
John Coplans
"Self Portrait (Frieze No.2, Four panels)", 1994
Silver prints, 190,5 x 315 cm
Wim Delvoye
"Roadwork" (Chantier), 1995
Porcelain, drain pipes, 140 x 632 x 162 cm
Walter De Maria
"Large Rod Series: Circle/Rectangle 13", 1986
Solid stainless steel, each rod 13.2 x 132 cm
Kristján Gudmundsson
"Drawing II" 1989
Graphite blocks, 10 x 180 x 96 cm, paper rolls, diameter 65.5 cm
Lova Hamilton
"Ett nej", 1997
Stuffed hare, velvet, silk, 40 x 30 x 30 cm
David Hammons
"Standing Room Only", 1996
Stuffed cat on wooden drum, approx 77 x 40 cm
Richard Tuttle
"London Series - F", 1982
18 watercolors, each 24 x 35 x 4.5 cm
Mona Hatoum
"Hearing Voices (why me?)", 1994
Etched glass panels, 28 x 132 x 2 cm
Nicky Hoberman
"Jelly Doughnut", 1998.
Oil on canvas, 244 x 305 cm
Alfredo Jaar
"Reflections", 1988
Suspended light box with black and white transparencies,
nine glass pools, wood base,114.3 x 195.6 x 195.6 cm
Ronald Jones
"Untitled (Fallout Shelters Kumla Central Prison, Kumla Sweden, 1965)" 1988.
Black french marble, 129 x 129 x 7.6 cm
Anish Kapoor
"Void IV", 1989
Fiberglass, color pigment, height 78 cm, diameter 88 cm
Matts Leiderstam
"Herdarna", 1994-1995:
"Chuck", 1994, "Pierre", 1995, "Dick", 1995, "Doug", 1995, "Dietrich", 1995
Ceramic vases, approx 20 cm each
Tony Matelli
"Lost & Sick", 1996
Epoxy resin, plaster, paint, 195 x 255 x 240 cm
Bruce Nauman
"Untitled (Suspended Chair, Vertical III)", 1987
Steel, 91.4 x 43.2 x 43.2 cm
Lars Nilsson
"He was an assman, I guess", 1997
Mixed media, approx. 330 x 240 x 200 cm
Peter Shelton
"Tweedledum", 1988-89
Cast copper, height 130 cm, diameter 80 cm
Annika von Hausswolff
"Attempting to deal with time and space", 1997
2 laminated C-prints, 110 x 80 cm
Barry X Ball
"Tableau Mourant", 1992-93
Composite construction, gold, perylene black pigment, 83.8 x 57.8 x 18.4 cm
"Fleur-de-lys", 1992-93
Composite construction, gold, cobalt violet pigment, 83.8 x 37.5 x 18.4 cm
Works in the exhibition, part 1
Georg Baselitz
"Das Bein" 1993.
Lime painted with tempera, height 175 cm
Christian Boltanski
"Monument: La Fête de Pourim".
Photographs, tin boxes, lamps, 126 x 495 x 21 cm
Lynda Benglis
"Lancia", 1986.
Bronze, crome, 134 x 73 x 23 cm
Lars Englund
"Relative", 1985-86.
Carbon fiber, 260 cm
Wolfgang Laib
"Ohne Titel", 1989.
Marble, rice, 18.5 x 126 x 21 cm
James Lee Byars
"Path of Luck", 1989
Blue African granite, 6 pieces and vitrines.
Daniel Libeskind
"Intermundium Machine XVIII", 1988.
Wood, 240 x 240 x 240 cm
Marianne Lindberg De Geer
" Jag tänker på mig själv", 1996
Plaster of Paris, approx 170 cm
Alfred Leslie
Untitled. 1990-91.
Charcoal on paper, 180 x 151 cm
Edward Lipski
"Wig 1", 1996.
Fiberglass, wigs, laminated base. Height 190 cm.
"Bird I", 1996
Fiberglass, goosefeathers, nylon cord, 130 x 100 x 65 cm
Richard Long
"Red Slate Circle, Aachen" 1989
A. R. Penck
"Frauenkopf", 1988.
Bronze, 98 x 22 x 20 cm
"Zen-Trum", 1987.
Bronze, height 116 x 26 x 26 cm.
"Standart-Modell-Antiatomkraft-Grün-Grün-Grün", 1987.
Bronze, 33 x 87 x 61 cm
"Kopf W", 1984.
Painted bronze, 68 x 23 x 23 cm
Fred Sandback
"Untitled", 1998
Yarn, dimensions variable
Robert Therrien
"No Title", 1988.
Wood, bronze, silver, 129 x 32 x 20 cm
Jan van Munster
"plus-minus", 1989.
Granite, diameter 60 and 65 cm
Polly Apfelbaum, "Compulsory Figures", 1997 (front), Richard Tuttle "A-R London Series", 1982. |
Installation view: Walter de Maria, Bruce Nauman |
Marianne Lindberg De Geer, "Jag tänker på mig själv", 1996, John Coplans "Self Portrait (Frieze No.2, Four panels)", 1994 |
Installation view: Wim Delvoye, Barry X Ball |
Tony Matelli, "Lost & Sick", 1996 |
Edvard Lipski, "Wig 1", 1996 |
Mona Hatoum, "Hearing Voices (Why me?), 1994 |
Anish Kapoor, "Void IV", 1989 |
Lars Nilsson, "He was an assman, I guess" 1997 |
Daniel Libeskind, "Intermundium Machine XVIII", 1988 |
Kristjàn Gudmundsson, "Drawing II", 1998 |