Joakim Ojanen lives and works in Stockholm, Sweden. Ojanen completed his MFA at Konstfack, Stockholm in 2014. Selected exhibitions include Snake Pit, The Hole NYC, USA (2019); Second meeting is always a bit tricky, last time was so spontaneous and easy, now there’s all these expectations and I’m not so good with social responsibility, Ruttkowski;68, Paris, France (2019); Where do we go from here?, Christian Larsen, Stockholm, Sweden (2018); Year of the Dog, Richard Heller Gallery, Santa Monica, USA (2018); Anthropocene, Ruttkowski;68, Cologne, Germany (2017); Joakim Ojanen and Ryan Travis Christian, The Hole NYC, USA (2017); Gyeonggi International Ceramic Biennale, South Korea (2017); Interrupted Boredom, Lefevbre & Fils, Paris, France (2017); KARNEVAL, Gustavsbergs Konsthall, Gustavsberg, Sweden (2016); Swedish Art Now!, Sven Harrys Konstmuseum, Stockholm, Sweden; Ebelingmuseet, Torshälla Eskilstuna, Sweden (2016); Konsthallen Passagen, Linköping, Sweden (2016); Powerful Babies: The Impact of Keith Haring, Spritmuseum, Stockholm Sweden (2015-16); The Bries Space, Antwerp, Belgium (2015). In 2018, Ojanen was the focus of features in the Los Angeles Times, Paper Magazine and Juxtapoz Magazine and Orosdi Back published a book on Ojanen’s practice as part of their ongoing Konstpocket series. Ojanen’s work can be found in many public and private collections including Art Institute of Chicago, US; Colección Solo, Madrid, Spain; Västerås Art Museum, Sweden; The Ryerson & Burnham Libraries; Frans Masereel Centrum, Belgium and Åberg Museum, Bålsta, Sweden.