Tom Friedman ”Up in the Air”

Producerad av Magasin 3 Stockholm Konsthall i samarbete med förlaget Skira, 2013.

Utställningskatalog nr 47

100 sidor, färg. Rikt illustrerad med bilder. Hårt band.
Språk: Engelska
Bokdesign: Lars Fuhre
Foto: Christian Saltas
ISBN 978-88-572-1894-6 (Trade edition) ISBN 978-88-572-1863-2 (Museum edition)

Beställ från Adlibris

INNEHÅLL
Boken innehåller ett rikt bildmaterial med tidigare opublicerade fotografier och skisser från arbetet med konstverket Up in the Air, en enorm installation som summerar Friedmans konstnärskap och konstnärliga reaktion på vår samtid. Verket, som skapades för den stora retrospektiva utställningen på Magasin 3 (2010), består av nära tusen häpnadsväckande objekt skapade av vardagliga föremål.

Essä om Tom Friedmans konstnärskap av konsthistorikern Charlotte Eyerman. Förord av David Neuman. Text av Richard Julin som utgår från samtal med konstnären inför arbetet med utställningen på Magasin 3, och under arbetet med boken. Publikationen är ett samarbete med det internationella förlaget Skira, ett av de ledande förlagen inom konst, arkitektur och design.

Art, for me, is a context to slow the viewer’s experience from their everyday life in order to think about things they haven’t thought about. Or to think in a new way. – Tom Friedman

UTDRAG FRÅN KATALOGEN
Friedman asks fundamentally philosophical, and specifically epistemological, questions about how we know what we know, and by extension, how we see what we see or perceive what we see. His aim, in his words, is to ”slow down the process of looking,” precisely because we live in a world of information overload. Perhaps human experience has always accommodated intellectual and sensory overload. Our postmodern world has its own endless military conflicts and various tulipesque manias: the stock market crash of 1988, the dot-com bubble of the mid- and late 1990s, the subprime mortgage crisis (and related, concomitant on-going crises) unleashed in 2008. Now, however, these crises are documented and communicated by a 24-hour news cycle with global and instantaneous reach and seem to be a different animal altogether.

/…/

Up in the Air, Tom Friedman’s new work that debuts at Magasin 3 on the occasion of an exhibition by the same name, takes the form of an enormous still life. It is the centerpiece of an exhibition that showcases Friedman’s extremely varied production. Friedman’s oeuvre celebrates diversity of form and materials, and resists easy categorization. He is at once a sculptor, a draughtsman, a painter, a photographer, a participant in ”new media,” and a conceptual artist. His materials tend to be drawn from the mundane and the familiar, and are then transformed by Friedman’s “mad scientist” imagination. He makes works that are dazzling in their technical skill and discipline, while seemingly simple or straightforward. He has a magician’s love for sleight of hand and the trickster’s impulse to remind us that things are not what they seem. Friedman’s works invite questions about what is real, about how we see. They beg questions that are sometimes benign and gentle, and sometimes menacing, and often these notes are struck within the same works.

Charlotte Eyerman, Art Historian and Curator